My work os­cil­lates between per­form­ance art, film and in­stall­a­tion. I work with the media film as a doc­u­ment­ary in­stru­ment. Film with its bod­ily ma­ter­i­al­ity is a cent­ral theme. In my videop­er­form­ances I use the re­cord­ings to frag­ment the body into mov­ing particles. I deal with so­cial en­vir­on­ment and lim­in­al spaces and use my body as a meas­ure. In my Live-Per­form­ances I work with daily ac­tions and its ab­surdity. In this ex­am­in­a­tions I re­flect and in­ter­vene with site spe­cif­ic con­di­tions and cre­ate ac­tions or in­stall­a­tions through simple, clear ges­tures. I am in­ter­ested in this in­ter­ac­tion with site-spe­cif­ic con­di­tions which gov­ern human be­ha­viour and re­la­tion­ships. I trans­form and de­con­tex­tu­al­ise daily ma­ter­i­als or found foot­age and com­bine it. I al­ways have to ad­just my own bor­ders - fail­ure as a con­stant com­pan­ion.

“I cre­ate im­ages as a sculptor with the body as my ma­ter­i­al. I cre­ate pat­terns as a paint­er and time is my brush. I in­ter­vene as a mu­si­cian and the space starts to sound. In this soph­ist­ic­ated mo­ments of en­counter I try to share my univers and the way of how I dis­cov­er it.”